Why Do We Publish?

Here is another tip from Michael about publishing your book. Let's see !

A major "character" in Mark Salzman's first autobiography is his father. Sometimes his father paints. But his father hates painting. He likes it when his painting is done. He likes having painted. But the act of painting itself is, in his opinion, a big pain in the backside.

Nobody reading this approaches writing like that, do they? I know I don't. Of all my experiences as an author, whacking those words down onto the paper is the best of the best. Always has been, always will be. Even though I cut most of them. I like creating.

I've quoted Hemingway before. Long periods of thinking, short periods of writing. These days, my thinking takes longer and my periods of writing are getting less frequent, but both still happen, and I still love creating something from nothing.

If it weren't for me, you would never read the words you're reading right now. Nobody else would ever write them. And they contain my thoughts. Through time and space, better than telepathy, you hear what I'm saying.

So, there's one reason to write, isn't it? The biggie, if you ask me. I write what I do because I can't NOT write it. I may be clarifying my thoughts in my own head. But, most certainly, I'm just so moved by those thoughts that I must put them on paper. They're in me and they have to get out, kinda like those critters in the ALIEN movies.

Is this the only reason to write? Because I want to zap my thoughts into your heads? I don't know. But let me change the question. Is this a reason to publish? Why not write your books and stick them in a filing cabinet like Sean Connery did in the film FINDING FORRESTER? Write it, express it, file it away. Why publish it?

(It's okay if you haven't seen this obscure little gem. I will explain all.)

In fact, there are writers who do exactly that. Some fear rejection or criticism. We hear about them whenever we pop into a writing workshop. But I don't think there are very many of them. I have trouble picturing someone who can spend months (years?) doing something as essentially egotistical as writing a novel, but who is fundamentally lacking in any sort of self-confidence. Naw, they're thinking posterity but lack the stones to admit it.

At times I've got an inferiority complex I wouldn't dream of whacking onto your shoulders, but it was absent when I wrote my books. During the act of writing itself, you think, "My words are better than your words." You do. You feel that you must record your thoughts because they're that much better than most. That's what writing is. So, I would say that by definition the author isn't ALWAYS plagued by self-doubt.

In FINDING FORRESTER, the Sean Connery character won the Pulitzer with his first book, saw that every reviewer misunderstood him, and decided they could all get stuffed. This is a movie, a work of fiction, but I understand the attitude. I once wrote a true story, where the main character was Michael LaRocca, only to have a critic slam the main character as "unbelievable." Apparently I don't act like real people.

I could never shove all my writing in a filing cabinet, unpub- lished, and tell the establishment to get stuffed. But yep, there are stupid people in the world, and some of them review books.

So, we've identified two groups who won't be seeking publication. Hopelessly insecure and hopelessly arrogant. But, like Aristotle, I prefer moderation. You still may be wondering why I seek publi- cation. So do I. Let my exploration of this question continue.

I've hit best-seller status for two different e-publishers with three different books. Minor thrills at the time, but there's no way I could call them enough of a reward for what I put into writing.

You're an author. You know what I'm talking about. We all but kill ourselves to make our books. And let's be blunt here. Unless you're going to throw Rowling/King/Clancy/Grisham money at me -- and you're NOT -- money isn't sufficient reason to publish.

Publishing isn't just a case of sending it to a publisher, signing a contract, and being done.

Next up is editing, which is a blast. Not at the time, perhaps. Any editor worth a damn will beat you over the head with every bad word choice you ever made. And you made hundreds! But at the end of that gauntlet, you know you are da bomb.

Seeing my cover art is almost always awesome. Yes, I did say "almost." One bad experience among eight. It happens. But if you've worked with a publisher, you know what I mean. You log onto the Internet one morning, not fully conscious, amazed that you poured that first cup of coffee without burning off your naughty bits. You pop open an email and see cover art that almost makes your head explode. You get this big rush, thinking, "Someone understands my writing!" What you don't realize, naive little author, is that some artists don't even read the books they do the art for. But still. The art rocks your world. Feel that. I always enjoy clicking those email attachments and seeing MY book covers.

Then comes marketing. Biggest pain in the... Well, let's just say it makes me want to not publish sometimes. So why publish?

I've entered the EPPIES three times, and been a finalist three times. The second time one of my books was an EPPIE finalist, I made some wisecrack in an author's egroup about how "finalist" is a synonym for "loser" and was raked over the coals.

Oops!

(Maybe I annoyed entrants who weren't finalists. I'd always wondered if they existed...)

So let's say I'm not publishing for money or awards. They sing a siren song to new authors which this jaded old bastard quit hearing long ago. I got all that out of my system in the previous millenium. So why do I still publish? What are my rewards? Let me mention a few.

A psychologist turned English teacher formed a women's reading group at the university where we once worked together in China. Her concept was women readers, women writers. But the first book the group ever discussed was my very own RISING FROM THE ASHES, which is about Mom. My only foray into "women's literature." I couldn't attend the reading group, since I'm a guy, but my wife was there. What I learned about my book is priceless, as is knowing what those young students discussed because of my writing. Issues of such depth that I'd be proud to inspire any student, in any country, in any language, to tackle them.

I used to work on North Carolina hog farms. I enjoyed the company of some damn fine people at every one of them. Hog farming is hard work. This isn't the backyard family farm, folks, this is 13 people with 98 boars, 3500 sows, and all the babies they can make. One of my toughest coworkers was a lesbian who could break Xena in half, and my one foray into writing horror gave her nightmares.

I don't consider myself a poet, and I believe most of the reading world agrees with me. But I have published 6 poems. There is one that a hog farm coworker insists will be read at his funeral. Don't ask me why he was planning his funeral during our lunch break because I have no idea. But, well, I guess I'm invited, in a manner of speaking.

Master Pizza, 30th Street, Tampa, Florida. A bunch of drunken Italian relatives reading one of my less-than-serious poems ALOUD between pitchers of beer. It was like a Joe Dolce moment.

I was working as a security guard in a particularly unpleasant place. This was 20 years ago, I think. A fellow guard read one of my short stories. It is, by far, the most allegorical thing I've ever written. I can't tell you how many times I've thought about throwing it out. But then, I remember Bob's words. "This is me. This is my life." Me too, old pal, and I don't care if you and I are the only two readers to have any idea what I'm talking about. {Scapegoat Bob!}

I've written some pretty heady volumes, but I've also written quite a few short works. I've heard from numerous students here in China that, "This is the first book in English I've ever finished reading." When I write, I certainly never set out to help anyone learn English. (Some of my editors may claim I never learned the language.) And, students will LIE to teachers. But I've decided that at least one was telling the truth.

When I left the US, I embarked on several journeys. Learning to live in China. Learning to love again. Taking another shot at the writer dream. And, eventually, teaching. After all that, I tried my hand at writing humor for the first time. Every time I hear my wife laugh at something I've written, I file it away as a reason to keep writing.

I've written one play in my life. I was young, and quite hooked on the album (pre-CD days) JESUS CHRIST SUPERSTAR. So, you guessed it, I tackled JC. I wrote something that nobody can read without having a powerful reaction. Readers love it or they hate it. I'm proud of that. And hey, it's only one act long. I have a short attention span.

I loaned Clint "Two Dawgs" Hill my very first book. My cousin. He took it to Durham (North Carolina) and loaned it to a bunch of hippie buddies. He asked for another, because the first one fell apart from overuse. That's why we publish. People all but fighting for the chance to read my words. And heck, the book wasn't even good yet. It's 20 years older now.

I mention all this for the jaded old bastards who have a few novels and bit of minor success under their belts. Nobody else is reading this anymore, are they?

So, maybe this is why we don't just stop when the book is written, stick it in a drawer, and uncork the champagne. Although I do hope you uncorked the champagne. This planet contains far too many people who "want to be authors" but who haven't written a book. Never have, never will. Meanwhile, you and I are sitting here knowing we had no choice. We had to write.

Why publish? Heck, why not?


About The Author

Michael LaRocca
Who Moved My Rice?
http://www.chinarice.org
You can't eat grits with chopsticks.
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Ten Tips to Help You Finish Writing Your Novel

Ten Tips to Help You Finish Writing Your Novel
by: Ann Roscopf Allen


1. Set aside a time to write and keep it sacred.

Make this a time when you know you are at your best and feel most creative -- Saturday mornings, late at night, whatever works for you. Make writing a priority and arrange other parts of your schedule around it.

2. Remove all distractions while you write.

Turn off the television. Don't answer the phone. You may need to set your writing time at a time when no one else is around to help you avoid being distracted.

3. Outline your plot.

Know generally where you want your story to go. Sometimes stories and characters develop in unexpected ways, and you need to allow for that. But keep your guiding plan in mind.

4. Avoid the intimidation of a blank computer screen.

Just start writing. Try freewriting about the plot of the story or a character to get "the flow" started. Begin a dialogue between two characters and see where your flow takes you. Sometimes that ends up in an embarrassingly bad scene, but that bad scene may just have the seeds of something a lot better in it. Once you've got something written, you can always improve it, but you have to get something, anything, written first.

5. Keep a draft mentality.

Nothing you write has to be permanent. Everything can change. If you get into a good flow and there's a word that you just can't think of, don't interrupt the flow by pondering over the word or going to the thesaurus. Leave a blank space and keep writing. There will always be time to go back and look up that word. At this stage, spelling and grammar don't matter; just write and create.

6. Don't feel compelled to begin at the beginning.

You don't have to write your story in chronological order during the drafting phase, especially if you know the main events you want your novel to cover. Work on the chapter you feel like working on. The first sentence and the first chapter will probably require the most work, so don't get frustrated by trying to get them perfect before you write anything else.

7. Organize your files, especially if you are not going to write in order.

Create a different file for each chapter you write. That way you can dip in and fool around with a few words or draft a scene and then save it, close it up, and move on to a different section of the story. When you can easily work on what you want, you are also preventing writer's block.

8. Revise, revise, revise.

Someone once said, "Writing is revising." Change and polish and delete and rearrange and change some more until you like the sound of the words. Often the best way to revise a sentence is to delete it.

9. Don't be afraid of putting yourself out there.

Make a list of writers who have written mediocre books (the incentive: "If HE can do it, so can I.") Be emboldened by writers whose works don't impress you much. The only thing they have over you is their persistence. There will always be critics, but you have to separate the wheat from the chaff: some people's criticism means something; most people's criticism is just so much noise. People keep writing novels despite the criticism. You might as well be one of them.

10. Only you can determine when you are finished.

Show your writing to a trusted friend, preferably one who knows about writing. Friends are likely to tell you how wonderful your novel is, as friends will do, and this of course is not helpful at all. Read between the lines of their compliments. Ultimately, you have to be the judge of your own writing.

Make up your mind to finish your novel, and you can do it. The only thing standing in the way is you.

About The Author


Ann Roscopf Allen is a college writing instructor and the author of the historical novel A Serpent Cherished, based on the true story of an 1891 Memphis murder. Visit her website - http://www.aserpentcherished.com/pages/1/index.htm

info@aserpentcherished.com
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Great Technical Writing: Beware Of Your Editor/Love Your Editor

Great Technical Writing: Beware Of Your Editor/Love Your Editor
by: Barry Millman

Overview

Your editor should be an integral part of your writing team. Do not think of him/her as a judge, but rather as a resource to help you in all phases of the writing project. This article will help you overcome any fear of your editor, and how to effectively use your editor during the writing process.


Beware of Your Editor

Some of the changes that an editor might suggest could make the User Document more difficult for your Reader to understand.

Improving Your Writing

Once your editor has gotten past the basic mechanical editing tasks of:

* grammar

* punctuation

* spelling

* editing to a Style Sheet,

he/she may work on "improving your writing."

Your editor may believe that one way to make the writing more interesting is to use synonyms when you refer back to something. Thus you might call something a "chip bin" in one part of your text, and your editor might suggest using a different term, such as "waste trap," later in the document. This should make your writing "more interesting."

You do not want interesting writing in your User Documents! You want clear, simple, very easy to understand writing. If you make your writing more interesting by using the synonym ("waste trap") then you force your reader to have to think about whether or not these are the same thing. I recommend that you use the exact same wording every place in your User Document where you are referring to the same thing. No synonyms here!

If your Reader wanted to be entertained or have his/her thoughts provoked, then he/she would be reading a novel.

Don't let your editor make your writing more interesting or more clever if those efforts makes the material harder for your Reader to understand.

Erudition

Another place to beware of your editor is "erudition." That is, when an editor that tries to make your User Documentation sound more formal. Other than disclaimer, legal, and safety information, the User Document should sound friendly, with a conversational tone.

For example, an editor might suggest changing contractions (such as "don't") into their more formal form ("do not"). Don't do it! Contractions are conversational and they should not be avoided.

If you think about it, most people reading the User Documentation for any product are under some form of stress:

* they either want to get on with using the product, or

* something has gone wrong.

A formal document will put the User off. The document should not be silly or flippant; however, it should provide the information that the User needs in a conversational, easily understood style. The needed information should be easy to find.

Although most word processor grammar checkers are woefully inadequate, many of these checkers can be made to provide a readability score (you may have to set an option to enable this feature). Editing should help increase the readability (indicated by a decrease in the reading grade level) of the document. If editing increases the reading grade level, ask your editor why that score has changed.

What to Do

Provide your editor with the information that will enable him/her to do the best job. Here are some things to tell your editor:

* The intended audience for the User Document

* Tell your editor that you want an informal style of User Document

* What style manual or guide to be used in editing

* Scheduling and progress of the project

* Format for sharing and editing the text (make sure the editor can read your electronic documents -- do this when you hire the editor)

(Whenever you are dealing with someone outside your organization, you must have a signed non-disclosure agreement. This is in addition to any other contractual items between the outsider and your organization.)

Get to Know Your Editor

Your editor is NOT your school teacher. In your school days, your teacher-as-editor was a judge. Your goal was to impress your teacher with your writing. You were working for a grade. Thus you may have come to fear your editor.

Change your thinking! Now, your editor is on your side. Your editor will work with you to produce the best possible writing. You will not have to worry excessively about grammar. You goal is to get the information "on paper" as clearly and completely as you can. Your editor will suggest changes to polish the text.

So don't fear your editor. Make your editor part of your writing team.

Love Your Editor

Hire Your Editor Early in the Project

Hire your editor early in the life of the project. There are at least two benefits to hiring the editor early:

* First, your editor will be prepared for the editing task. He/she will have had time to get to know the product, target audience, and your organization's style guide.

* Second, your editor can help you with your writing, as I describe below...

Let Your Editor Help You

If you run into problems about how to write something, call on your editor. Most likely your editor can provide an effective wording to get you around your block. That's one reason why you got the editor on the project early. Here's another...

A Recommendation

I recommend that you work on small pieces of the User Document, and circulate these small pieces (rough drafts) to the development team for comments. Then use their comments to improve the writing, and re-circulate the improved material. Continue this for a few cycles. I call this "Iterative, Interactive Writing." This is an effective method for writing quickly and accurately.

If you feel uncomfortable about circulating rough drafts to the product development team for review, here's a solution. Have your editor perform a quick edit of the rough draft before you circulate it for comments. Your "drafts" will look quite good, and the development team will concentrate on the content, not the wording or grammar (and comments about content are you want from the team).

The Bottom Line

Don't think of your editor as an enemy lurking at the end of your document production path. Instead, realize that your editor can be a valuable member of your writing team, and is on your side. He/she should:

* Be brought onto the writing project early

* Be kept aware of the status of the writing project

* Be used as a writing, as well as an editing, resource

TIP: It is much more enjoyable for the writer (you) to work with "marked-up" electronic documents, rather than marked-up printed documents. Investigate your word processor's "multiple reviewers" capability. To employ this capability requires that you and your editor use the same or compatible word processing software.

NOTE: I am not an editor, nor do I represent any editors. But as a writer, I value editing.


About The Author

Barry Millman, Ph.D., has been a consultant for over 25 years, an instructor, course developer, and award-winning speaker.Visit: http://www.greatuserdocs.com/ for resources to help you create the content and access that your Users want and need.
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